AL House

Opens onto a street, narrows the walk-in into a long, tight hold, and then releases it into open space.
AL House begins at the walk in. Its concept is a sequence rather than a shape: the openness of the street narrows into a compressed alley, kept low and close long enough for the body to register it, before releasing into a living space that lifts overhead and opens onto an uninterrupted view of the planted backyard. The compression makes the release feel earned.
The plan is built to serve that arc. One long line of sight runs from the tightened entry through to the garden, so the reward appears the moment the pressure lifts, and movement through the house keeps ending somewhere green.












The roof is the house's strongest visual feature and earns it: a dominant silhouette cut open at the center so a single tree grows up through the structure. Indoors, the main ceiling follows the roofline exactly, so the profile seen from the street returns overhead — giving a modest house real volume, and making the release at the end of the alley feel larger than the plan is.
The palette is the studio's recurring one — shades of grey against white walls with dark wood for weight — and here it holds still so the green and the shadow can move against it. The house sits between refined and humble, its richness measured in movement rather than surface, and because a living tree stands at its center, it is built to change as that tree grows.












